Join Now For Free
Sign in to mark a moment.Nobody has marked a moment yet.

The Screening Room

RED

0 votes this month · People's Choice closes at the end of November
0 plays here · 0 watched through

Sign in to vote.

No synopsis yet.

Comments

Sign in to join in.

Nobody has said anything about this one yet. Be the first.

Go further

42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 9 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 20 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 23 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 41 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A single blood-red title card with a bearded man's face bleeding through the letters: mood over information.

2.5of 5
  • Storynot read

    Not read: no synopsis or transcript, so no want, turn or ending was seen.

  • Pictureworks

    Strong red wash and a face emerging through bold type make a striking poster image, but it is one static frame, not motion.

  • Wordsnot read

    Not read: no transcript, so no dialogue, narration or titles beyond the word RED were seen.

  • Worldnot read

    Not read: the single frame shows only a title card and a face, no place, clothes or setting to judge.

  • Voicegetting there

    The bold red treatment and bleeding face suggest a deliberate look, but one frame is not enough to tell if it is a consistent choice through the film.

I read only one published frame, a red-toned title card with a face; no synopsis and no transcript were available, so story, words and world could not be assessed. Read 4 November 2026. How the scorecard works