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The Screening Room

The Right Accident

0 votes this month · People's Choice closes at the end of November
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Two book lovers first meet in the library and then go on their sponateous date....

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 11 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 22 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 25 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 43 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A sunny, colour-soaked meet-cute between two book lovers, told entirely through warm faces and bright cafe tables.

2.8of 5
  • Storygetting there

    Synopsis sketches a library meeting turned date but no transcript shows a want, a turn, or an ending, so the arc has to be guessed.

  • Picturestrong

    The cafe frames use saturated yellow, green and blue with natural light on faces; the library close-up is warm and well-focused too.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldworks

    The Cubana cafe and library setting feel specific and lived-in, with props like the sugar jar and phone grounding the date in a real place.

  • Voicegetting there

    Frames show a conventional two-hander meet-cute setup; nothing yet in the images or synopsis marks a choice distinct from similar shorts.

I read the title, synopsis and four published frames; there was no caption transcript, so dialogue, narration and any plot turns spoken aloud were not seen. Read 2 November 2026. How the scorecard works