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An undercover cop is assigned to monitor a humanoid robot, but an unexpected bond over art leads to a final task: creating a painting.
Submitted 10 November 2026 by Gregor Whyte. Rights and music declared.
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46 festivals, funds and schemes worth this film.
- Competitioncloses in 3 days · 13 November 2026
Young Scottish Filmmaker Prize (Glasgow Short Film Festival)
checked 28 Oct 2026 · source - Festivalcloses in 14 days · 24 November 2026
Manchester Film Festival
checked 27 Sept 2026 · source - Festivalcloses in 17 days · 27 November 2026
Open City Documentary Festival
checked 27 Sept 2026 · source - CompetitionFree to entercloses in 35 days · 15 December 2026
Sony Future Filmmaker Awards
checked 27 Sept 2026 · source
Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.
The scorecard
A title about art and artifice, glimpsed only through faces and a wooden mannequin hand frame, story unseen.
- Storynot read
Not read: no synopsis or transcript, so what is wanted and what turns was not seen.
- Pictureworks
Close, warm-lit portraits with a clean shallow-focus look; the mannequin-hand framing shot shows a deliberate compositional idea.
- Wordsnot read
Not read: no caption transcript, so dialogue or narration was not seen.
- Worldgetting there
Frames show only two interiors and two faces; too little is visible to judge whether the wider world convinces.
- Voiceworks
The hand-frame-around-the-eye shot suggests a specific idea about looking and artifice, though it is only one image to judge by.
I read four still frames and the title card only; no synopsis and no caption transcript were available, so story and words are unscored. Read 10 November 2026. How the scorecard works
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