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The Screening Room

THE NICE HUSBAND

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A short fiction film produced as part of an undergraduate university project. The film explores relationships and the complexities behind a seemingly ordinary marriage. Roles: Writer, Director, Cinematographer and Editor Responsible for the entire creative and production process, from developing the screenplay and directing the film to cinematography and post-production. Independently handled all aspects of production apart from acting.

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46 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 2 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 13 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 16 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 34 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A title card and a handful of domestic close-ups hint at a quiet relationship drama, but there is too little here to judge.

2.5of 5
  • Storynot read

    Not read: no synopsis or transcript, so there is no sense of want, turn or ending.

  • Pictureworks

    Frames show competent lighting choices, warm lamp-lit close-up versus flat daylight shot, and clean framing on faces.

  • Wordsnot read

    Not read: no transcript was provided, so dialogue or narration could not be assessed.

  • Worldgetting there

    Two plain domestic rooms and casual clothing are visible, but only four frames give little sense of a built-out world.

  • Voicenot read

    Not read: without story or words, no distinct point of view can be identified from frames alone.

I saw four published frames and the title card; no synopsis and no transcript were available, so story, words and voice could not be read. Read 11 November 2026. How the scorecard works