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The Screening Room

Fall Out

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FALLOUT - Ever made a decision you couldn’t escape? David did, and what started as a dangerous choice became an obsession he couldn’t leave behind. Find out what happened.

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46 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 2 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 13 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 16 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 34 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A prison drama built around one bad choice, with striking cast staging but a synopsis that stays at the pitch stage.

2.7of 5
  • Storygetting there

    Synopsis gives a bare premise, 'a decision he couldn't escape,' but no turn or ending is described to show it landing.

  • Pictureworks

    The poster's blue uniforms against ochre walls and blue sky work, and the dark profile shot and lounge scene show deliberate lighting choices.

  • Wordsnot read

    Not read: no transcript, so the dialogue or narration was not seen.

  • Worldworks

    Prison courtyard, uniforms, and a lived-in domestic room with an older woman suggest a convincing, specific setting at low budget.

  • Voicenot read

    Not read: no transcript and too little synopsis detail to tell what choice here a hundred other films would not make.

I read the synopsis and the four published frames; there is no caption transcript, so dialogue, narration, and the actual plot turn were not available to score. Read 11 November 2026. How the scorecard works