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The Screening Room

Post Production Showreel 2026

2026 · Drama · Documentary · Experimental

0 votes this month · People's Choice closes at the end of October
1 play here · 0 watched through

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 16 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 27 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 30 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 48 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A quiet, naturalistic two-hander glimpsed through damp woods and polytunnel light, with no synopsis or dialogue to say what it wants.

2.7of 5
  • Storynot read

    Not read: no synopsis or transcript, so no want, turn or ending can be seen.

  • Pictureworks

    Rain-streaked windscreen, green woodland and low winter light give a consistent naturalistic look across the four frames, though all are close, static two-shots.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldworks

    Worn jackets, a beanie, a polytunnel and a muddy track build a believable low-budget rural setting, but only one location type is shown.

  • Voicegetting there

    Frames show a familiar British indie-drama palette of damp woods and awkward glances; nothing yet marks a choice other films would not make.

I read four production stills only; no synopsis or caption transcript was provided, so story and words are not scored. Read 28 October 2026. How the scorecard works