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The Screening Room

The Last Ingredient

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This was an independent short film that I made together with a group of friends. I worked as the cinematographer and camera operator, taking responsibility for the visual approach and camera work throughout the film. I was also involved in the scriptwriting and post-production editing process.

Submitted 9 November 2026 by Rodney Joronirina. Rights and music declared.

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46 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 4 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 15 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 18 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 36 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

An untitled kitchen-set short with no readable material to judge beyond a credits list.

  • Storynot read

    Not read: no transcript and no synopsis detail about plot, character or turn, so the story was not seen.

  • Picturenot read

    Not read: no frames were provided, so framing, light, colour and movement were not seen.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldnot read

    Not read: no frames and no synopsis detail on setting, costume or props, so the world was not seen.

  • Voicenot read

    Not read: with no story, picture or words available, no distinct point of view could be identified.

I was given only a synopsis describing crew roles, with no frames and no transcript, so none of the five attributes could be assessed from the film itself. Read 9 November 2026. How the scorecard works