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The Screening Room

Serpentine

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Serpentine is an experimental short film which delves into the hardships of womanhood through a body-horror-ridden and feminist viewpoint. It follows a straight toxic couple, in which the male persona manipulates and belittles the female persona in a 50’s themed dark void of a dinner-setting. A story of transformation, grief and the empowerment of a repressed woman.

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 9 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 20 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 23 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 41 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

Three striking tableaux of a woman in low light, but with no synopsis or dialogue the story itself stays out of reach.

3.3of 5
  • Storynot read

    Not read: no synopsis or transcript given, so what is wanted and what turns cannot be seen.

  • Picturestrong

    Low-key lighting across all three frames, gold and blue paint catching light against black, a controlled single-subject composition that holds attention.

  • Wordsnot read

    Not read: no caption track, so dialogue or narration was not seen.

  • Worldworks

    A polka-dot dress, body paint, and blood on a hand across the three frames suggest a transformation or ritual, though only glimpsed, not built out.

  • Voiceworks

    The move from demure dress to painted face to blood-smeared hand reads as a deliberate escalation, a choice distinct enough to notice.

I read three published frames showing escalating imagery (dress, paint, blood) but had no synopsis and no caption transcript, so story and words could not be assessed. Read 4 November 2026. How the scorecard works