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The Screening Room

Rimokon Protocol: Confomity Case

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Kane and Wade have heard the emergency broadcast from The Global Order about a dangerous anomaly breaking out of one of their facilities. A shape shifting humanoid with memory altering abilities. This drives the two into paranoia.

Submitted 5 October 2026 by Jan Wright.

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 11 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 22 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 25 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 43 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A paranoia thriller soaked in red light, with two men unravelling over a broadcast warning they cannot unsee.

2.5of 5
  • Storygetting there

    Synopsis sets up a premise (broadcast, shapeshifter, paranoia) but no turn or ending is described, so the arc is a promise, not yet a story.

  • Pictureworks

    Strong red and purple gel work, tight close-ups on faces through bars and on a phone, gives the frames a consistent unsettled mood.

  • Wordsnot read

    Not read: no transcript, so the dialogue and its naturalism were not seen.

  • Worldworks

    Domestic interiors, glasses, a corded phone, prison-like bars in the poster image: a lived-in, low-budget space that reads as real enough.

  • Voicegetting there

    The red-bar poster image and lurid lighting choices show some visual commitment, but nothing yet marks this as a choice only this filmmaker would make.

I read the synopsis, viewed the four published frames, and had no transcript to work from, so dialogue and the ending were not seen. Read 2 November 2026. How the scorecard works