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The Screening Room

my thoughts on ai “artists”

0 votes this month · People's Choice closes at the end of November
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There’s no such thing as an “ai artist” cuz they didn’t make anything.

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46 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 2 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 13 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 16 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 34 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A straight-to-camera opinion piece on AI art, carried by a title-card thesis rather than a built scene.

2.0of 5
  • Storygetting there

    Synopsis states a single opinion (no such thing as an AI artist) but no turn or ending is visible in what's given, just a thesis repeated.

  • Picturegetting there

    Flat talking-head framing in a plain room, one static garden shot with bold text overlay; functional but no real visual craft on show.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldgetting there

    A bathrobe, a green sofa, a garden with a goal and plant pots: ordinary and lived-in but not shaped into anything specific to the film's argument.

  • Voicegetting there

    The garden text-card (not creating something ≠ creating something) suggests a sharp, personal angle, but the talking-head frames read as generic opinion-video delivery.

I read the synopsis and the four published frames (a garden shot with an on-screen argument, and three talking-head shots); no transcript was provided, so dialogue and tone of delivery were not seen. Read 11 November 2026. How the scorecard works