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The Screening Room

The Fly Of Temptation

0 votes this month · People's Choice closes at the end of November
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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 6 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 17 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 20 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 38 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A silhouette study of one woman split between neon temptation and domestic daylight, with no story yet to hang it on.

2.3of 5
  • Storynot read

    Not read: no synopsis or transcript given, so what she wants and how it turns was not seen.

  • Pictureworks

    Frames show a clear contrast between a pink-lit, mysterious close-up and flat daylight kitchen shots; the lighting choice carries mood even without context.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldgetting there

    Only two settings are visible, a dim coloured room and a plain kitchen; not enough detail across frames to judge how convincing the wider world is.

  • Voicegetting there

    The pink-lit grin against the quiet domestic frames suggests a split-self idea, but with no synopsis or dialogue it reads as mood rather than a stated point of view.

I read four production frames only; no synopsis and no caption transcript were provided, so story, words and most of world rest on the images alone. Read 7 November 2026. How the scorecard works