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The Screening Room

Burning Cordinates

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Burning Coordinates is a war-themed concept teaser about betrayal, revenge and the war against Insurgency. The project served as a hands-on exercise to apply video editing, sound design and post-production techniques using DaVinci Resolve and AI tools.

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46 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 2 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 13 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 16 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 34 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

An AI-generated war teaser testing explosions and texture, with no transcript or clear narrative to judge beyond mood images.

2.0of 5
  • Storygetting there

    Synopsis names betrayal and revenge against insurgency, but no transcript or scene progression shows who wants what or how it turns.

  • Pictureworks

    Explosion frame has decent composition and light, but repeated near-identical frame of the blast suggests limited coverage, not a built sequence.

  • Wordsnot read

    Not read: no transcript, so the words were not seen.

  • Worldgetting there

    Desert military world reads generically AI-smooth, mine scene and soldier frames feel like stock-style generation rather than a specific place.

  • Voicenot yet

    Nothing here points at a choice only this filmmaker would make; the frames read as tool demonstration, not a point of view.

I read the synopsis and the four published frames, but there was no transcript or caption track, so dialogue, narration and any scene-to-scene progression beyond what two near-duplicate frames show were not seen. Read 11 November 2026. How the scorecard works