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The Screening Room

FUNK

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Old friends, Ted and Tom, are reunited as they arrive in Berlin for a stag do. When the stag runs late, the two are forced to spend time with each other, after years apart.

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 10 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 21 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 24 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 42 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

Two old friends drift through a Berlin stag do in a short that leans on mood and faces over plot.

3.0of 5
  • Storygetting there

    Synopsis sets up a simple reunion premise but gives no sense of want or turn; with no transcript, any development is unreadable.

  • Picturestrong

    Strong use of natural light on the bench shot, a clean gallery composition, and a bold magenta-lit bathroom frame show real visual range.

  • Wordsnot read

    Not read: no transcript, so the dialogue and its sound were not seen.

  • Worldworks

    Berlin locations (park with tents, gallery, tiled bathroom) feel specific and lived-in, though the stag-do context itself is barely glimpsed.

  • Voiceworks

    The shift from flat daylight realism to saturated club-toilet colour suggests a filmmaker willing to change register, a choice worth noting.

Judged from four stills and the synopsis only; no transcript was provided, so dialogue, pacing and the actual turn in the story were not seen. Read 3 November 2026. How the scorecard works