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The Screening Room

I'm sorry

0 votes this month · People's Choice closes at the end of November
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1.19min long silent short film on betrayal and addiction

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42 festivals, funds and schemes worth this film.

The full list for this film
  • Competitioncloses in 11 days · 13 November 2026

    Young Scottish Filmmaker Prize (Glasgow Short Film Festival)

    Glasgow, Scotland · not stated on this page; apply through the Glasgow Film website

    checked 28 Oct 2026 · source
  • Festivalcloses in 22 days · 24 November 2026

    Manchester Film Festival

    Manchester · Shorts US$70 until 27 October then US$75 (North West shorts US$65 then US$70); features US$97.50 then US$99.50 · premiere required

    checked 27 Sept 2026 · source
  • Festivalcloses in 25 days · 27 November 2026

    Open City Documentary Festival

    London · Entry fee via FilmFreeway; selected works under 40 minutes get a £70 screening fee

    checked 27 Sept 2026 · source
  • CompetitionFree to entercloses in 43 days · 15 December 2026

    Sony Future Filmmaker Awards

    International; shortlist flown to Sony Pictures Studios, California · Free to enter · up to 20 min

    checked 27 Sept 2026 · source

Filtered by the film's length and ordered by deadline; every row carries the date we checked it and where. The film is public here, so the ones that want a premiere are marked. The festival plan says how to run the year.

The scorecard

A single lit tableau of collapse: a figure slumped at a table, caught in warm lamplight, hinting at betrayal and addiction.

2.3of 5
  • Storynot read

    Not read: no transcript and a one-line synopsis, so no want, turn or ending can be traced.

  • Pictureworks

    Strong use of a single warm lamp against dark surround, the reflection on the table adds depth, but only one frame to judge framing or movement.

  • Wordsnot read

    Not read: the film is silent and no transcript or titles are given.

  • Worldgetting there

    The frame shows a bare table and a lamp, enough to suggest a mood but too little detail to judge a convincing wider world.

  • Voicegetting there

    The lighting choice (hard warm pool against near-black) suggests a deliberate eye, but one frame cannot confirm a distinct recurring point of view.

Seen: the title, a one-line synopsis, and a single publicity frame; no transcript exists because the film has no captions, and no further frames were provided to trace any shift or ending. Read 2 November 2026. How the scorecard works